Generosity in 21st Century America: Carol Highsmith and the George F. Landegger Alabama Collection

At the end of March, I told you that photographer Carol Highsmith was in Alabama, working on a project for the Library of Congress, the 21st Century America Collection. Her goal is to document in digital images life in each state so that future generations will have an idea of what America was like in the first decades of this century. These images will be copyright free, donated to the Library of Congress and placed in the public domain (see Is Carol M. Highsmith the Most Generous Artist of Our Time?).

Now I can show you what Carol Highsmith has been doing these past weeks. Make  a detour over to 21st Century Alabama, where you’ll find over 200 of the 4,000 images she’s making (and remember, she arrived in February, just weeks ago: this woman works).  Later this year, probably late summer, you’ll be able to find the George F. Landegger Alabama Collection on the Library of Congress site, as well.  The photos in this post are a few examples from her Alabama shoots.

 

Why is it called the George F. Landeggar Alabama Collection?  And who is George F. Landeggar?

Don’t assume that Carol started this massive project in Alabama because it comes first in an alphabetized list of US states: you would be wrong.

She’s in Alabama because of the generosity of George F. Landegger, who is funding the Alabama collection. I did a little googling and discovered that Landegger is, like Carol Highsmith, an admirably generous man.

Continue reading “Generosity in 21st Century America: Carol Highsmith and the George F. Landegger Alabama Collection”

Advertisements

Where in America is Carol M. Highsmith?

You may remember my post from last year,  Is Carol M. Highsmith the Most Generous Artist of Our Time? about the photographer who for nearly twenty years has donated her work and assigned her rights to the Library of Congress, and placed it in the public domain, making it available to the public for their personal, educational, or commercial use all for the price of a credit line.

Continue reading “Where in America is Carol M. Highsmith?”

Who Was Dorothea Lange’s Migrant Mother?

While I plan to post henceforth on public domain images on Public Domain Images Online, I’m posting a bit of this one here since it follows up on a havealittletalk post from this spring.

 In an earlier post I noted that one of the most famous American photographs of the twentieth century is in the public domain in the United States since it was taken by Dorothea Lange when she was employed by the Farm Security Administration during the Great Depression. What came to be known as “Migrant Mother” was one of six images shot by Lange on March 9, 1936 near Nipomo, California, where migrant workers were in a dire situation since the crops they had come to harvest had been destroyed by freezing rains.

On the following day,  according to Geoffrey Dunn’s essay for New Times: San Luis Obispo, “Photographic License,” the San Francisco News published this picture:

Read more here.

links fantastic: Theatrical Posters in Public Domain. And Dastard.

A little levity today, courtesy of yet another collection from the
Library of Congress’s Prints and Photographs Online Catalog, this one a collection of some 2100 performing arts posters. Most date from 1879 to 1910, so they are in the public domain.

I like the tails on these devils, but best of all is the caption:  “Toby creates a little consternation in fairyland.”

 Continue reading here.

tripping the links fantastic: Public Domain Images from the Farm Security Administration

Yesterday I was going to post on posters created by WPA artists (and I will) when I wandered into another collection on the incomparable Library of Congress’s Prints and Photographs Online Catalog.

Have you ever heard of the Farm Security Administration (FSA)? I expect not, but this was a New Deal Department of Agriculture agency that made loans to small farmers. It also had an Information Division that employed 22 photographers to go cross country documenting the people and places of what we now call the Great Depression.

Read more here.

Carol Highsmith: Generosity of Spirit

I had a lovely surprise in my email this morning: notification of a comment from Carol Highsmith.

If you’ve only recently started following this blog, I invite you to pop back to my post for Februry 17,  “Is Carol M. Highsmith the Most Generous Artist of Our Time?”.

Carol Highsmith is a highly regarded photographer who is donating her work, as it is created, to the Library of Congress and placing it in the public domain for free use, asking only for a credit line.

I cannot tell you how exceptional this is.

Continue reading here.

.

Is Carol M. Highsmith the Most Generous Artist of Our Time?

100,000 public domain digital images:  That is the estimated number of images  that Carol M. Highsmith (b. 1946) will one day have provided the public for their personal, educational, or commercial use all for the price of a credit line.  Since 1992, Carol M. Highsmith has donated her work and assigned her rights to the Library of Congress, and in 2002 began providing digital scans or digital photos, which will speed up the archiving of her images.  So far, over 2500  photos have been posted on the Library’s Prints and Photographs Online Catalog’s Highsmith Archive, and thousands more are in process.

Continue reading here.

Public Domain Images from the Library of Congress, Part 2

Since works created prior to 1923 are now in the public domain in the US, searching for images using keyword and “no known restrictions” in the Library of Congress’s Prints and Photographs Catalog will yield a lot of older photos. But not all are pre-1923. For example, consider these:

3g11913r105370r

 

 

 

 

 

 

 

 

 

That’s Jackie Kennedy on her wedding day,  Sept. 12, 1953  [LOC, LC-USZC4-4332 ] and Sir Winston Churchill with his son and grandson preparing for the coronation of Queen Elizabeth II in 1952 [LOC,LC-DIG-ppmsca-05370]. Both photos are by Toni Frissell.

Or these images of WWII:

3c13551t3c32048t

 1943 US Navy photo of torpedo bombers  [LOC, LC-USZ62-113551]

Wreckage of USS Arizona, Pearl Harbor, Hawaii, December 7, 1941  [LOC, LC-USZ62-132048]

And then there are so many subjects that don’t change much over time.

 

Continue reading “Public Domain Images from the Library of Congress, Part 2”

tripping the links fantastic: Public Domain Images at The Library of Congress

Break time! And the first post on some of my favorite links.

A fascinating site that offers a rare treasure — images in the public domain — is the Library of Congress’s Prints & Photographs Online Catalog. By no means are all images in the public domain. Fewer are than aren’t. But that still leaves thousands.

This is what you do:  go to the catalog and click through the agreement box. This takes you to the search page. You enter your keyword and, if you are looking for public domain images exclusively, this phrase: “no known restrictions.” Not “public domain”; that will get you nowhere. You want “no known restrictions.”

Let’s try the keyword shaman. Alone, you get 62 results, but not all are usable without seeking permission. Now try shaman + “no known restrictions.”  The yield drops to 24, but these are what you need. Here’s a sample. 3b20021r

02441v13f06391r

                                                                                     

sha14

 

 

 

 

I like this one. I might make him the blog’s mascot.

Once you click on the image, you see a tab at the top of the page called Bibliographic Infomation. Here we find a title for the picture, “Hamatsa emerging from the woods”; its date (1914), and a summary: “Hamatsa shaman, three-quarter length portrait, seated on ground in front of tree, facing front, possessed by supernatural power after having spent several days in the woods as part of an initiation ritual.” If you look under Subjects, you’ll figure out that the Hamatsa were natives of what became British Columbia. 

Continue reading “tripping the links fantastic: Public Domain Images at The Library of Congress”